Free Download Torment Saint: The Life of Elliott SmithBy William Todd Schultz
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Torment Saint: The Life of Elliott SmithBy William Todd Schultz
Free Download Torment Saint: The Life of Elliott SmithBy William Todd Schultz
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Elliott Smith was one of the most gifted songwriters of the '90s, adored by fans for his subtly melancholic words and melodies. He died violently in LA in 2003, under what some believe to be questionable circumstances, of stab wounds to the chest. By this time fame had found him, and record-buyers who shared the listening experience felt he spoke directly to them from beyond: astute, damaged, lovelorn, fighting until he could fight no more. And yet Smith remained unknowable. In Torment Saint, William Todd Schultz gives us the definitive biography of the rock star, imbued with affection, authority, sensitivity, and long-awaited clarity.
Torment Saint draws on Schultz's careful, deeply knowledgeable readings and insights, as well as on more than 150 hours of interviews with close friends from Texas to Los Angeles, lovers, bandmates, music peers, managers, label owners, and recording engineers and producers. This book unravels the remaining mysteries of Smith's life and his shocking, too early end. It's an indispensable examination of his life and legacy.
- Sales Rank: #210772 in Books
- Published on: 2015-04-07
- Released on: 2015-04-07
- Original language: English
- Number of items: 1
- Dimensions: 8.31" h x .94" w x 5.52" l, 1.00 pounds
- Binding: Paperback
- 368 pages
From Publishers Weekly
Starred Review. In this detailed biography of Elliott Smith, the gifted singer-songwriter who was beloved by the indie-rock world and praised for solo albums such as Either/Or, Schultz opens a window on the musician who died from a fatal stab wound in 2003 at age 34. Schultz—editor of the Handbook of Psychobiography and author of books on Truman Capote and Diane Arbus—brings to his work a deep understanding of how inner and outer landscapes can affect unique and sensitive artists. Schultz follows the uncanny intersection of the lives of Smith and fellow Pacific Northwest rocker Kurt Cobain: both witnessed domestic violence and divorce during their childhoods, with resulting feelings of abandonment and loss of security showing up regularly in songs; both suffered from lifelong bouts of depression; both hung out in Portland bars where the prevailing mid-1980s zeitgeist included punk, indie, anything-goes aesthetics; and both used hard drugs such as heroin. But no matter how dark Smith's story gets, Schultz never loses sight of the beauty of his music. Agent: Betsy Lerner, Dunow, Carlson & Lerner. (Oct.)
From Booklist
Elliott Smith is what some call a cult artist. He achieved mainstream fame of sorts when he was nominated for an Academy Award for his song “Miss Misery,” from the film Good Will Hunting, but he has mostly lived his life on the edge in Portland, Oregon. Smith suffered from depression and alcohol and drug addiction, and these topics appear frequently in his music. Schultz’s thorough biography examines Smith’s difficult childhood, his years in numerous bands, and his solo career. He offers thoughtful observations on Smith’s songs, which are notable for their profound melancholy and deep sadness. Before his death in 2003 from a stab wound to his heart, which occurred under mysterious circumstances, Smith was working on a double album. Schultz describes his music as “extraordinarily accomplished,” and Smith himself as sweet and compassionate. “Elliott was very deeply loved by many, many people,” writes Schultz. “The largest mystery of all is why he so often could not believe that.” Fans of Smith’s ethereal music will appreciate this book, published on the tenth anniversary of his untimely death. --June Sawyers
From Bookforum
In Torment Saint, William Todd Schultz has written his own kind of love song—an account of Smith’s life that does full justice to his memory and the impressive legacy of his art. Schultz makes good on the promise of his subtitle by focusing on the life of Elliot Smith—largely ignoring the cottage industry of lurid speculation about the circumstances of the songwriter’s violent death in 2003. He doesn’t dwell unduly on his subject’s depression, his darkness, or his inability to recognize his own talent and innate goodness. Those traits were, of course, integral to Elliott’s personality, but they aren’t the final word on his life, and so Torment Saint is both a persuasive reckoning with Elliott’s inner demons and –much more important—a full appreciation, and celebration, of his undeniable genius. —Rhett Miller
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